Arte parietal paleolítico de la cueva de Alkerdi 2 (Urdazubi/Urdax, Navarra)

  1. Garate, D. 1
  2. Rivero, O. 2
  3. Hermoso de Mendoza, A. 3
  4. Tapia Sagarna, J. 4
  5. Medina-Alcaide, M. A. 5
  6. A. Aranburu
  7. Álvarez, I. 6
  8. Bodego, A. 6
  9. Arriolabengoa, M. 6
  10. Iriarte, E. 7
  11. Bilbao, P. 6
  12. del Val, M. 8
  13. Abendaño, V. 3
  14. Calvo, J. I. 3
  15. Ibarra, F. 3
  16. Legarrea, J. 1
  17. Agirre-Mauleon, J. 4
  1. 1 Universidad de Cantabria
    info

    Universidad de Cantabria

    Santander, España

    ROR https://ror.org/046ffzj20

  2. 2 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

  3. 3 Grupo de Espeleología Satorrak
  4. 4 Aranzadi Zientzia Elkartea/Sociedad de Ciencias Aranzad
  5. 5 Universidad de Córdoba
    info

    Universidad de Córdoba

    Córdoba, España

    ROR https://ror.org/05yc77b46

  6. 6 Universidad del País Vasco/Euskal Herriko Unibertsitatea
    info

    Universidad del País Vasco/Euskal Herriko Unibertsitatea

    Lejona, España

    ROR https://ror.org/000xsnr85

  7. 7 Universidad de Burgos
    info

    Universidad de Burgos

    Burgos, España

    ROR https://ror.org/049da5t36

  8. 8 Centro Nacional de Investigación sobre la Evolución Humana (CENIEH)
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Journal:
Trabajos de arqueología Navarra

ISSN: 0211-5174

Year of publication: 2020

Issue: 31-32

Pages: 355-361

Type: Article

DOI: 10.35462/TAN31-32.25 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Trabajos de arqueología Navarra

Abstract

Within the framework of the characterization project of the massif and karst system of Alkerdi, the Alkerdi cave and its protective environment, the Alkerdi 2 cavity was explored. The coordinated work has made it possible to identify a set of parietal art associated with archaeological evidence on the surface. The style of the engraved animal points towards a Gravettian attribution for human presence. Radiocarbon dating of one of the parietal motifs and a charcoal from the archaeological context corroborate this idea. This is the second cavity decorated during the Paleolithic in Navarre and the oldest artistic remain in the Autonomous Community.

Data source: Dialnet