A mad knight in her atticthe reformulation of quixotism and its use in "Charlotte Lennox's "The female Quixote"
- Lorenzo Modia, María Jesús (ed. lit.)
- Alonso Giráldez, José Miguel (ed. lit.)
- Amenedo Costa, Mónica (ed. lit.)
- Cabarcos-Traseira, María J. (ed. lit.)
- Lasa Álvarez, Begoña (ed. lit.)
Editorial: Servizo de Publicacións ; Universidade da Coruña
ISBN: 978-84-9749-278-2
Año de publicación: 2008
Páginas: 143-149
Congreso: Asociación Española de Estudios Anglo-Norteamericanos. Congreso (31. 2007. A Coruña)
Tipo: Aportación congreso
Resumen
Women writers in eighteenth century England had to deal with accusations of immorality and perversion of young female minds, due to the alleged subversion of their role as "domestic" and "invisible" women. Charlotte Lennox chose to approach quixotism in her most celebrated novel, "The Female Quixote", or, the "Adventures of Arabella" (1752), to create an appealing heroine whose literary delusions allowed her to experience freedom and power for the first time in her life. Lennox, as other writers would do following her example, employed that momentary escape from constraint, the subsequent punishment of her heroine and her final return to reason, to make a statement on her status as a woman writer, as well as to consolidate herself as a respectable one. Moreover, by so doing, she transformed completely the concept of "Quixote" and proved an important transition in the quixotic tradition towards a more romantic heroine.