Datación de las pinturas y revisión del Arte Paleolítico de Cueva Palomera(Ojo Gaureña, Burgos, España)

  1. Bécares Pérez, Julián
  2. Cachier, Hélène
  3. Corchón Rodríguez, María Soledad
  4. Tisnèrat-Laborde, Nadine
  5. Arnold, Maurice
  6. Valladas, Hélène
Zeitschrift:
Zephyrus: Revista de prehistoria y arqueología

ISSN: 0514-7336

Datum der Publikation: 1996

Nummer: 49

Seiten: 37-60

Art: Artikel

Andere Publikationen in: Zephyrus: Revista de prehistoria y arqueología

Zusammenfassung

The dating of four samples of black painting (coal) using the A.M.S. system gives the exact chronology and cultural context of the Hall of Painting of the Cave of Palomera (Ojo Guareña, Burgos, Spain). The parietal figures dated include, together with subjects of Paleolithic characteristics, another traditionally considered as «schematic style» (post-Paleolithic) and with characteristics peculiar to Schematic Painting. The five datings, however, offer great internal cohesion, situating all the samples at the end of the Late Glacial Interstage (Allerôd) or in the transition to the recent Dryas. Revision of the very homogeneous set of the figures and signs in the Hall of Paintings allowed us to define the context of these black paintings (Magdalo-Azilian or Ancient Azilian) and the characteristics of art the end of the Paleolithic and beginning of the Epipaleolithic.