De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves

  1. Sánchez Hernández, Tomás 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Revista:
Con A de animación

ISSN: 2173-3511

Any de publicació: 2014

Títol de l'exemplar: Febrero 2014: Animation. Stop-Motion

Número: 4

Pàgines: 110-125

Tipus: Article

DOI: 10.4995/CAA.2014.2166 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Altres publicacions en: Con A de animación

Resum

The works of the Disney Studios have been widely critisized from its inception. The filmography of the “Factory” has received both attacks and praise from every direction, and its creators —especially its founder— have been accused of defending diverse political principles under the camouflage of their films’ naivety. In most cases, this criticism has relied on simple intuition and ideological prejudice.The aim of the present analysis is approaching the first animated feature film produced by the Disney Studios so as to characterize the process carried out by the Company’s creative staff when rewriting a popular tale by The Brothers Grimm. The narratologic study of the operations taken will try to detect whether, in this case, there was a hidden agenda in Disney activity or rewriting responded to less militant goals.

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Fuente de los datos: Dialnet