La poética en la pintura andaluza del Siglo de Oro. Un acercamiento a la cuestión en tiempos de Murillo
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Universidad de Salamanca
info
- Fernández Valle, María de los Ángeles (ed. lit.)
- López Calderón, Carme (ed. lit.)
- Rodríguez Moya, Inmaculada (ed. lit.)
Publisher: Enredars ; Andavira
ISBN: 978-84-121445-3-6
Year of publication: 2019
Pages: 13-32
Congress: Simposio Internacional de Jóvenes Investigadores del Barroco Iberoamericano (3. 2017. Sevilla)
Type: Conference paper
Abstract
There is nothing that marks the trajectory of an artist’s work more than understanding how they express their inner self in their artistic praxis, as well as understanding their poetics, what disturbs them, and what they wish to transmit to the spectator (along with the way in which they materialize it). In order to elaborate on this, one must comprehend how art was understood during the Baroque period, the fusion that existed between art forms, and an important development in the artists’ learning process and increase in their cultural level, as seen in the work of Velázquez, Alonso Cano, Valdés Leal and Murillo. All of them reflect a heterodox perspective of a world full of light and shadow which informs their aesthetic. Some virtuosos in form, others in composition or the rhetoric of an iconic language, they transformed the Baroque into one of the most attractive movements for those who enjoy the study of hermeneutics and iconology