Performing (in)sanityun-doing gender in janet frame’s an angel at my table

  1. Laura de la Parra Fernández 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revista:
The Grove: Working papers on English studies

ISSN: 1137-005X

Año de publicación: 2016

Número: 23

Páginas: 35-45

Tipo: Artículo

DOI: 10.17561/GROVE.V23.A3 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: The Grove: Working papers on English studies

Resumen

Este ensayo explora la locura como práctica preformativa en An Angel At My Table de Janet Frame (1981) como forma de escapar de las convenciones de género. Siguiendo a Shoshana Felman y a Suzette Henke, observaremos cómo Frame reconstruye una nueva identidad al renunciar a las convenciones del género femenino—en especial, la sexualidad y el cuerpo femenino normativo. En la segunda parte de este artículo se analiza cómo al omitir en su autobiografía el relato de su estancia en diversas instituciones mentales, restaura y se hace cargo de la imagen que quiere proyectar de sí misma.

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