El rol de la música en la definición del "Otro cultural"
ISSN: 2341-4898
Año de publicación: 2018
Número: 44
Páginas: 127-141
Tipo: Artículo
Otras publicaciones en: ArtyHum: Revista Digital de Artes y Humanidades
Referencias bibliográficas
- BELLMAN, J.: (1998): The exotic in western music. Boston, Northeastern University Press.
- BELLMAN, J.: (2011): “Musical voyages and their baggage: Orientalism in music and critical musicology”, Musical Quarterly, 94, 3, Oxford, Oxford University Press, pp. 417-438.
- FARMER, H. G.: “The Oriental impingement on European music”, Islamic Studies, 2, 3, Islamabal, Islamic Research Institute, 1963, pp. 337-342.
- FLEMING, K. E.: “Orientalism, the Balkans, and Balkan Historiography”, The American Historical Review, 105, 4, Oxford, Oxford University Press, 2000, pp. 1218-1233.
- FOUCAULT, M.: Surveiller et punir. París, Gallimard, 1975.
- GARRIDO RAMOS, B.: “Colonialismo, Colonialidad y Modernidad”, ArtyHum Revista Digital de Artes y Humanidades, Nº 8, Vigo, 2015, pp. 68-80.
- GONZALEZ, M.: “Europa en España y España en Europa en la música del siglo XIX”, ArtyHum Revista Digital de Artes y Humanidades, Nº 30, Vigo, 2016, pp. 181-189.
- GUTTING, G.: “Michel Foucault”, The Stanford Encyclopedia of Philosophy (Winter 2014 Edition). ZALTA, E. N. (Ed.). Disponible en línea: https://plato.stanford.edu/archives/win2014/entries/foucault/ [Fecha de consulta: 16/05 /2017].
- HALDRUP, M.; KOEFOED, L.; SIMONSEN, K.: “Practical Orientalism: Bodies, Everyday Life and the Construction of Otherness”, Geografiska Annaler. Series B, Human Geography, 88, 2, Wiley, 2006, pp. 173-184.
- HEAD, M.: “Musicology on Safari: Orientalism and the Sceptre of Postcolonial Theory”, Music Analysis, 22, 1-2, New Jersey, Blackwell Publishing LTD, 2003, pp. 211-230.
- KEIL, C.: “Groovology and the Magic of Other People’s Music”, Ethnomusicology, Illinois, University of Illinois Press, 2002, pp. 1-10.
- MACKENZIE, J. M.: Orientalism: History, theory, and the arts. Manchester, Manchester University Press, 1995.
- MALVINNI, D.: The Gypsy caravan: From real Roma to imaginary gypsies in Western music and film. New York, Routledge, 2004.
- MANUEL, P.: “Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics”, Yearbook for Traditional Music, 21 International Council for Traditional Music, 1989, pp. 70-94.
- MARKOVIC, A.: ““So That We Look More Gypsy”: Strategic Performances and Ambivalent Discourses of Romani Brass for the World Music Scene”, Ethnomusicology Forum, 24, 2, British Forum for Ethnomusicology, 2015, p. 260.
- MC CLARY, S.: Georges Bizet, Carmen. Cambridge, Cambridge University Press, 1992.
- RASMUSSEN, L. V.: “Gypsy music in Yugoslavia: Inside the Popular Culture Tradition”, Journal of the Gypsy Lore Society, 1, 2, 1991, pp. 211-230.
- RICE, E.: “Representations of Janissary music (Mehter) as musical exoticism in western compositions, 1670-1824”, Journal of Musicological Research, Vol. 19, 1999.
- SAID, E. W.: Orientalism. New York, Pantheon Books, 1978.
- SCOTT, D. B.: “Orientalism and Musical Style”, The Musical Quarterly, 82, 2, Oxford, Oxford University Press, 1998, pp. 309-335.
- SILVERMAN, C.: “Negotiating “Gypsiness”: Strategy in Context”, The Journal of American Folklore, 101, 401, Illinois, University of Illinois Press, 1988, pp. 261-275.
- SZEMAN, I.: ““Gypsy Music” and Deejays: Orientalism, Balkanism and Romani musicians”, TDR, 53, 3, Washington, The MIT Press, 2009, pp. 98-117.
- VAN DE PORT, M.: “The articulation of soul: gypsy musicians and the Serbian Other”: Popular Music Cambridge, 18, 3, Cambridge, Cambridge University Press, 1999, pp. 291-308.
- VV.AA.: Western Music and Its Others. Berkeley, University of Califorrnia Press, 2000.