De un trayecto por el socious, la psique y la “naturaleza” o De los nuevos modos de vida humanos

  1. Miguel González-‐Diez
  2. Úrsula Martín Asensio
Buch:
III Congreso internacional de investigación en artes visuales. ANIAV 2017.: glocal [codificar, mediar, transformar, vivir]
  1. Emilio José Martínez Arroyo (coord.)
  2. Elias Miguel Perez Garcia (coord.)

Verlag: edUPV, Editorial Universitat Politècnica de València ; Universitat Politècnica de València

ISBN: 978-84-9048-573-6

Datum der Publikation: 2017

Kongress: Congreso Internacional de Investigación en Artes Visuales. ANIAV (3. 2017. Valencia)

Art: Konferenz-Beitrag

Zusammenfassung

Olafur Eliasson says that "we are not simply in the world; we are the world". And once we accept this fact, we admit that the human actions have consequences for the local and global context. The project POUCH by Umasensio, curated by Miguel González-‐Diez, is concluded with the serie En casa. It reclaims the perceptive practice like the way of exploration of other methods of knowing the world and becoming sensitive aesthetically with an ecosystemic balance. The artist demonstrates the nature and the body like those only places where to inhabit. The feeling sensitive body emerges as an element from where one can reach fundamental questions in the human being like the identity, the empathy, the estrangement and the instability. The Earth lives a moment of ecological imbalance which threatens life over its area. Perhaps this is due to the ways of human life confront an state of continuous fatigue in its advance. The question is, as Félix Guattari brings up, knowing how "we are going to leave from now on in this planet [sustainable], in the context of the acceleration of technical and scientific mutation and the considerable demographic development". Guattari suggests an ecosofic knowledge proyected through three ecologic records: the social relations, the human subjectivity and the environment. In this manner they emerge new systems of valuation remote from the financial payments and the profit market. Under them the identity of the world is permanently [re]created, transversally thinking the relations between nature and culture. POUCH is articulated finally like a dialogue between the ecosofic thinking and the contemporary artistic practice from a holistic, intercultural and lay, approach, which means a possible opening for the individual, shady under the alienating furies of capital markets.