La sombra sobre Marvel: reescrituras del horror arquetípico en los cómics del Doctor Extraño

  1. Martín, Jorge 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Aldizkaria:
Brumal. Revista de Investigación sobre lo Fantástico / Brumal. Research Journal on the Fantastic

ISSN: 2014-7910

Argitalpen urtea: 2017

Zenbakien izenburua: The Fantastic in Comics

Alea: 5

Zenbakia: 1

Orrialdeak: 247-274

Mota: Artikulua

DOI: 10.5565/REV/BRUMAL.378 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Brumal. Revista de Investigación sobre lo Fantástico / Brumal. Research Journal on the Fantastic

Laburpena

Since H.P. Lovecraft laid the foundations of cosmic horror, many other authors and media have followed the influence of this manifestation of the fantastic. Among them, the American comic book has also tried to incorporate into its codes the archetypal terrors imagined by the author from Providence. Our study aims to analyze a paradigmatic case: the superhero of Marvel publishing house known as Doctor Strange, because, in certain cases, the peculiarities of this character seem optimal for the transposition of this vision of the fantastic to the world of comics.

Erreferentzia bibliografikoak

  • GIL GONZÁLEZ, Antonio (2013): +Narrativa(s). Intermediaciones novela, cine, cómic y videojuegos en el ámbito hispánico, Salamanca, Ediciones Universidad de Salamanca.
  • HARVEY, Robert (1996): The Art of the Comic Book: An Aesthetic History, University Press of Mississippi, Jackson.
  • HERRON, Don (2000): «The dark barbarian» en Don Herron (ed.), The Dark Barbarian: The Writings of Robert E Howard, a Critical Anthology, Wilside Press, New Jersey, pp. 149-182.
  • JONES, Mark (2013): «Lovecrafian being in popular culture», en David Simmons (ed.), New Critical Essays on H.P. Lovecraft, Palgrave Mcmillan, New York.
  • CARTER, Lin (2001): «H.P. Lovecraft: the books» en Darrel Schweitzer (ed.), Discovering H.P. Lovecraft, Wilside Press, Pennsylvania, pp. 107-147.
  • MARTÍN, Rafael (2016): Marvel: crónica de una época, Dolmen Editorial, Palma de Mallorca.
  • MITCHELL, Charles (2001): The Complete H.P. Lovecraft Filmography, Greenwood Press, Connecticut.
  • NYBERG, Amy Kiste (1998): Seal of Aproval. The History of the Comics Code, University Press of Mississippi, Jackson.
  • PÉREZ BOWIE, José Antonio (2010): Reescrituras fílmicas nuevos territorios de la adaptación, Salamanca, Ediciones Universidad de Salamanca.
  • RINGEL, Faye (2014): «I am Providence: H. P. Lovecraft», en Charles Crow (ed.), A Companion to American Gothic, John Wiley & Sons Inc, Hoboken.
  • ROAS, David (2001): «La amenaza de lo fantástico», en David Roas (ed.), Teorías de lo fantástico, Arco/Libros, Madrid.
  • SMITH, Don (2006): H.P. Lovecraft in Popular Culture: The Works and Their Adaptations in Film, Television, Comics, Music and Games, McFarland & Company, Jefferson.
  • STEINER, Bernd (2005): H. P. Lovecraft and the Literature of the Fantastic: Explorations in a Literary Genre, Grin Verlag, Norderstedt.