The Artistic Contribution of Electrographic Practices to the Archaeology of Electronic Art

  1. Beatriz Escribano Belmar 1
  2. José R. Alcalá Mellado 2
  1. 1 University of Castilla-La Mancha
  2. 2 University Rey Juan Carlos
Libro:
Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities

Editorial: Edition Donau-Universität

ISBN: 978-3-903150-51-5

Año de publicación: 2019

Páginas: 61-72

Tipo: Capítulo de Libro

DOI: 10.25969/MEDIAREP/13342 GOOGLE SCHOLAR lock_openAcceso abierto editor

Resumen

Nowadays, it is almost a fact that electronic art and, therefore, media art was not born without inheritance. This research presents a return to the past through media archaeology as a methodological approach in order to study the role of artistic electrographic practices of (re)production, transmission and printing out of images as underground movements.Our research assesses artistic practices such as Copy Art or Fax Art. The study analyses their historical development as essential part of (historical) media art. By suggesting a new analytical perspective, we aim atdiscussing and understanding phenomena, art paradigms or art formsthat became visible in the analog and digital materiality of the photocopyand fax artworks. For this purpose, the research is based on the original artistic documentary and bibliographic materials, as well as artistic collections held bythe International Museum of Electrography (MIDE) in Cuenca (Spain)since its opening in 1990.

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