La ciudad medieval y los monasterios como núcleo de poder"El nombre de la rosa", de la adaptación literaria a la película

  1. Begoña Gutiérrez San Miguel 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Book:
Ciudades creativas. IV Congreso Internacional. Tomos I y II
  1. García García, Francisco (coord.)
  2. García Guardia, María Luisa (coord.)
  3. Taborda Hernández, Ernesto (coord.)

Publisher: Madrid: Universidad Complutense de Madrid, 2016

Year of publication: 2016

Tome: 1

Volume: 1

Pages: 470-484

Congress: Congreso Internacional Ciudades Creativas (4. 2016. Madrid)

Type: Conference paper

Abstract

The medieval cities are born under the protectionof the commercial agricultural and cattle exchanges alongthe 11th century that they generated certain prosperity inalready existing cores, under the protection of the castlesand the monasteries of the fief specially the placed onesin the commercial routes. The medieval cities weresurrounded with high walls for his protection and placed instrategic places. In his doors they were receiving the taxeson the goods that were entering the city, these were closedin the night but for the day they remained opened. Theytook some emblematic buildings as the cathedral, the townhall, the Church, the straps and he marries them of noblesand wealthy families. All that is not another thing that theframe of representation of the city of the medieval wherethe movie is carried out The name of the Rose (1986)which director is the french Jean Jacques Annaud, acrossthe adjustment of the homonymous novel of Umberto Eco(1980). By means of this incomparable stamp a study of thecontained will be carried out in the movie putting in valueof the recipient the representation in images of a world thatwas fundamental for the restoration of the structural basesof the contemporary city