Tiempo y memoria en el espacioel mar como metáfora en la poesía de Kim Chunsu

  1. Rodríguez López, Elia 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Zeitschrift:
Revista de Filología de la Universidad de La Laguna

ISSN: 0212-4130

Datum der Publikation: 2023

Nummer: 47

Seiten: 287-303

Art: Artikel

DOI: 10.25145/J.REFIULL.2023.47.15 DIALNET GOOGLE SCHOLAR lock_openOpen Access editor

Andere Publikationen in: Revista de Filología de la Universidad de La Laguna

Zusammenfassung

The prevalence of spatial metaphors to refer to temporal experiences suggests the existence of cognitive processes according to which the physical and concrete experience of space structures the human temporal dimension and serves for anchoring memory. Approached as a means to access such subjective interpretations of the world, the poetic text allows an inquiry into the conceptions of the subject concerning time, memory, and space. Based on these considerations, this paper examines the images of the sea in two poems by Korean poet Kim Chunsu (1922-2004), in which it appears as a metaphor for time and memory. A detailed analysis of these poems reveals how the poet uses maritime space metaphorically to represent both the inevitable destiny of human life –death– and its origin, crystallized in childhood memories. Likewise, the study of the conceptual metaphors in the poems also demonstrates a distinct conception of time, characterized by a circularity that affects both the individuals and the communities to which they belong.

Bibliographische Referenzen

  • Boroditsky, Lera (2000): «Metaphoric structuring: Understanding time through spatial metaphors», Cognition 75, 1: 1-28. URL: https://www.sciencedirect.com/science/article/abs/ pii/S0010027799000736.
  • Casey, Edward S. (2000): Remembering: A Phenomenological Study, Bloomington: Indiana University Press (2.a ed.)
  • Eichenbaum, Howard (2017): «On the Integration of Space, Time, and Memory», Neuron 95: 1007-1018. URL: https://www.sciencedirect.com/science/article/pii/S0896627317305603.
  • Eliade, Mircea (1998 [1957]): Lo sagrado y lo profano, Trad. de Luis Gil Fernández, Barcelona: Paidós.
  • Fauconnier, Gilles y Mark Turner (2002): The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities, New York: Basic Books.
  • Fauconnier Gilles y Mark Turner (2008): «Rethinking metaphor», en Raymond W. Gibbs Jr. (ed.), The Cambridge Handbook of Metaphor and Thought, Cambridge: Cambridge University Press, 53-66.
  • Freeman Margaret H. (1995): «Metaphor making meaning: Dickinson’s conceptual universe», Journal of Pragmatics 24: 643-666. URL: https://www.sciencedirect.com/science/article/abs/ pii/037821669500006E.
  • Gungnikgugeowon [Instituto nacional de la lengua coreana] (s.f.): Pyojungugeodaesajeon [Diccionario estándar de la lengua coreana]. URL: https://stdict.korean.go.kr/main/main.do; 16/12/2022.
  • Ju, Yeong-jung (2012): «Kimchunsu siui geunwonjeok siganuisikgwa jeontongui changjojeok byeonyong [Consciousness of Fundamental Time and Creative Transformation of Tradition in Kim Chun-su’s Poetry]», Journal of Korean Culture 21: 305-333. URL: https://www. kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART001702742.
  • Kang, Kyeonghui (2003): «Kimchunsu si yeongu: “neup”gwa “bada” imijiui sanggwangwangyereul jungsimeuro [Estudio de la obra poética de Kim Chunsu: centrado en la relación recíproca de la imagen del “estanque” y el “mar”]», Soongsilohmun 19: 17-47.
  • Kim, Chunsu (1997): Kkeotgwa yeou [Flor y zorro], Seúl: Minumsa Publishing Group.
  • Kim, Chunsu (1999): Poemas, Trad. de Changmin Kim y Othón Moreno R., Madrid: Verbum.
  • Kim, Chunsu (2004): Kimchunsu sijjeonjib [Poesía completa de Kim Chunsu], Seúl: Hyundae Munhak [Contemporary Literature].
  • Kim, Chunsu (2005): We naneun siininga [Por qué soy poeta], en Jinu Nam (ed.), Seúl: Hyundae Munhak [Contemporary Literature].
  • Kim, Gwang-yeop (1994): Hanguk hyeondaesiui gonggan gujo yeongu: Cheongmawa Yuksa, geurigo Kimchunsuwa Kimsuyeongeul jungsimeuro [Un estudio de la estructura espacial de la poesía coreana contemporánea: centrado en Cheongma, Yuksa, Kim Chunsu y Kim Suyeong]. Tesis de doctorado inédita. Seúl: Seogang University.
  • Kövecses, Zoltán (2015): Where Metaphors Come From: Reconsidering Context in Metaphor, Oxford: Oxford University Press.
  • Lakoff, George y Mark Johnson (2009 [1980]): Metáforas de la vida cotidiana, Trad. de Carmen González Martín, Madrid: Cátedra (8.a ed.).
  • Lakoff, George y Mark Johnson (1999): Philosophy in the flesh: The embodied mind and its challenge to Western thought, New York: Basic Books.
  • Lakoff, George y Mark Turner (1989): More than Cool Reason: A Field Guide to Poetic Metaphor, Chicago: The University of Chicago Press.
  • Malpas, Jeff (1999): Place and Experience: A Philosophical Topography, Cambridge: Cambridge University Press.
  • May, Vanessa (2016): «Belonging from afar: nostalgia, time and memory», The Sociological Review 0: 1-16. URL: https://journals.sagepub.com/doi/10.1111/1467-954X.12402.
  • Mun, Hye-won (2015): «Kimchunsuui Cheoyongdanjange natananeun siganuisige daehan yeongu -Huseorui hyeonsanghakjeok siganuisikgwaui bigyoreul jungsimeuro [A Study on Time-conciousness of Kim, Choon-soo’s Cheoyongdanjang: focused on a comparison with Husserl’s phenomenological Time-consciousness]», Bigyohangukhak [Comparative Korean Studies] 23, 1: 127-150. URL: https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ ciSereArtiView.kci?sereArticleSearchBean.artiId=ART001986867.
  • Nora, Pierre (1989): «Between Memory and History: Les Lieux de Mémoire». Trad. de Marc Roudebush, Representations 26: 7-24. URL: https://www.jstor.org/stable/pdf/2928520.pdf.
  • Pagán Cánovas, Cristóbal y Max Flack Jensen (2013): «Anchoring time-space mappings and their emotions: The timeline blend in poetic metaphors», Language and Literature 22, 1: 45-59. URL: https://journals.sagepub.com/doi/10.1177/0963947012469751.
  • Rah, Gee-Joo (2006): «Kimchunsu siui sinhwajeok sangsangnyeok yeongu: “bada” imijireul jungsimeuro [A Study of Mythical Imagination by Kim Choon Soo’s Poem: Focusing in its “Ocean” image]», Hangukmunyebipyeongyeongu [Journal of Korean Literary Criticism] 20: 129-147. URL: https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView. kci?sereArticleSearchBean.artiId=ART001156608.
  • Ryu, Suntae (2002): Hanguk jeonhusiui mijeok modeoniti yeongu [Un estudio sobre la modernidad estética de la poesía coreana de posguerra], Seúl: Worin.
  • Semino, Elena (2008): Metaphor in Discourse, Cambridge: Cambridge University Press.
  • Seo, Young-hee (2012): «Kim Chunsuui Cheoyongdanjange natanan siganuisik [A Time-Consciousness in Kim Choon-Soo’s Cheoyongdanjang]», Hanminjok Emunhak 61: 5-34. URL: https:// www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean. artiId=ART001688165.