El compromiso del cuerpo.Impresiones en torno al dolor con Omar Jerez

  1. María Cano Martínez
Journal:
Arte, individuo y sociedad

ISSN: 1131-5598

Year of publication: 2019

Volume: 31

Issue: 3

Pages: 695-701

Type: Article

DOI: 10.5209/ARIS.63663 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Arte, individuo y sociedad

Abstract

The corporal aspect in the performance, has been one of the fundamental pillars in its own conception. In this sense, the relationship with pain is evident in various actions, either by the media or by its conceptual core. In the case of Omar Jerez, both come together, in a work of coherence and commitment, over and above the artistic approach; for the artist, action is a means of personal and social discovery, a form of protest and, ultimately, a way of being. In this interview, we approach his work from an approach linked to pain and its presentation to the public through performative acts

Bibliographic References

  • Jerez, O. & Azcona, A. (2013) La Teoría Involuntaria de una Muerte Confrontada (TIMC). Consultado en: https://sadcomunicacion.files.wordpress.com/2013/08/nota-de-prensa-teorc3ada-involuntaria-de-una-muerte-confrontada.pdf