Publications (22) Miguel Sebastián Martín publications

2024

  1. The Franchise Devouring Itself: A Critical Analysis of the Marvel Cinematic Universe’s Reflexive Turn

    REDEN [Nueva época]: Revista Española de Estudios Norteamericanos, Vol. 5, Núm. 2, pp. 20-42

  2. Theodor Adorno Meets Dystopian Literature. Patricia McManus. Critical Theory and Dystopia

    Science Fiction Studies, Vol. 51, Núm. 1, pp. 114-117

2023

  1. Between Therapy and Revolution: Mr. Robot’s Ambivalence Toward Hacker Masculinity

    Detoxing Masculinity in Anglophone Literature and Culture: in Search of Good Men (Springer International Publishing), pp. 231-247

  2. More Cracks in the Black Mirror? Ambivalences of the Digital Age's Most Iconic Dystopia

    Femspec, Vol. 23, Núm. 1, pp. 9-16

  3. Review of Alternative Masculinities in Feminist Speculative Fiction: A New Man, by Michael Pitts

    Science Fiction Film and Television, Vol. 16, Núm. 1, pp. 213-217

  4. Some Thoughts on Guest-Editing a Special Issue

    Femspec, Vol. 23, Núm. 2, pp. 124-128

  5. Special Issue: "A Feminist Black Mirror?" lit. ed.

    Femspec

2022

  1. Allegorising Surveillance Capitalism: Westworld’s Science-Fictional and Metafictional Pastiche

    Moving beyond the pandemic: English and American studies in Spain

  2. Don Quixote as gamer?

    Science Fiction Film and Television, Vol. 15, Núm. 2, pp. 193-217

  3. Review of Against Automation Mythologies: Business Science Fiction and the Ruse of the Robots, by J. Jesse Ramírez

    Science Fiction Studies, Vol. 49, Núm. 1, pp. 191-195

  4. Review of The Computer’s Voice: From Star Trek to Siri, by Liz W. Faber

    Science Fiction Film and Television, Vol. 15, Núm. 3, pp. 372-376

2021

  1. Indian roots and routes in global times: cartographies of independence, diaspora and resilience; book of abstracts for the 7th International Conference - Spanish Association for interdisciplinary India studies lit. ed.

    Santander: Universidad de Cantabria

  2. Refabricating Individualism and Commodifying Anti-Capitalism: Melodramatic SF and VOD Spectatorship

    Science-Fiction Studies, Vol. 48, pp. 332-353

  3. Renaissance Utopias and the Problem of History rev.

    Nexus, Núm. 1, pp. 32-36

  4. Review of Spiritual and Corporeal Selves in India: Approaches in a Global World

    Revista Canaria de Estudios Ingleses, Núm. 83, pp. 257-259

  5. Silicon Valley as Cult? Mystifying and Demystifying Surveillance Capitalism in Alex Garland’s Devs (2020)

    SFRA Review, Vol. 51, Núm. 4, pp. 195-200

  6. Subverting or Reasserting? Westworld (2016-) as an Ambiguous Critical Allegory of Gender Struggles

    452ºF: Revista de Teoría de la Literatura y Literatura Comparada, Núm. 24, pp. 129-145

  7. The beautification of dystopias across media: Aesthetic ambivalence from we to black mirror

    Utopian Studies, Vol. 32, Núm. 2, pp. 277-295

2020

  1. Review of Devs, season 1 (2020, TV Series)

    SFRA Review, Vol. 50, Núm. 4

  2. The Potential of Meta-SF: an Analysis of Nacho Vigalondo’s Timecrimes as a Metacinematic Allegory of Postmodern Subjectivity

    Hélice, Vol. 6, Núm. 2, pp. 24-38